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- #SAPPHIRE PLUGIN SONY VEGAS 16 AND AFTER EFFECTS UPDATE#
- #SAPPHIRE PLUGIN SONY VEGAS 16 AND AFTER EFFECTS PRO#
- #SAPPHIRE PLUGIN SONY VEGAS 16 AND AFTER EFFECTS SOFTWARE#
- #SAPPHIRE PLUGIN SONY VEGAS 16 AND AFTER EFFECTS MAC#
“The Furnace plug-ins help digital artists by automating many time-consuming processes and drudge tasks,” says Dr. The Foundry (offers Furnace and Tinder 2D image processing plug-ins for Adobe After Effects, Avid DS, Apple Shake, Autodesk Discreet systems, Assimilate Scratch, FilmLight Baselight and Nucoda Film Master. These include blurs, glows, controlled distortions, seamlessly tiled images and warped graphics. Their Anarchy Toolbox is a set of nine plug-ins that create a variety of sophisticated effects. Their Primatte Chromakey digitally removes a blue/green background from a photograph, leaving the subject against a transparent background with any color cast removed.
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#SAPPHIRE PLUGIN SONY VEGAS 16 AND AFTER EFFECTS PRO#
The plug-in works in After Effects, Premiere Pro and Final Cut Pro.ĭigital Anarchy also offers 3D Assistants 1.2, which is now now compatible with After Effects 7.0. ReSizer is a plug-in for intelligently scaling footage or upconverting SD to HD.
#SAPPHIRE PLUGIN SONY VEGAS 16 AND AFTER EFFECTS UPDATE#
Because Data Animator dynamically updates source data, it is suitable for collaborative work and projects started before the data is finalized.Īnother recent update is ReSizer 2.0 for Final Cut Pro. The data quickly animates onscreen and is customizable. To work with Data Animator, users just import a tab-delimited text file into a particular chart type, like Pie Chart or Stock Ticker. Data Animator 1.1 is designed to work with Final Cut Pro, After Effects and Premiere Pro.
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#SAPPHIRE PLUGIN SONY VEGAS 16 AND AFTER EFFECTS MAC#
The new release marks the debut of a Mac version. The eight plug-ins can be used to create a wide range of chart types, from business graphics to scientific visualization. It also adds 16-bit per color channel image processing and 40 new filters, including a new Motion Key filter that removes moving foreground objects from a clip.ĭigital Anarchy (in San Francisco has released Data Animator 1.1, a tool for creating animated charts and graphs. “Maintaining its tight integration with all industry-standard NLEs, Boris Red 4.0 will move the Red product further in the direction of 2D and 3D software-based compositing and effects creation by offering support for 16-bit color and a new procedural paint engine,” says Boris Yamnitsky, founder/president of Boris FX in Boston.īoris Red 4.0 includes a new raster paint engine with clone paint brushes and support for a Wacom tablet with multiple paint input channels. Red is a versatile application that integrates many capabilities, including advanced 2D and 3D compositing, DVE, 3D modeling and animation, native vector titling, motion tracking, vector paint, rotoscoping, Illustrator file animation and extrusion. Keep in mind, the world of plug-ins is too large to be covered in just a few pages.Īt NAB, Boris FX (unveiled Boris Red 4.0, an integrated 3D compositing, titling and effects plug-in for NLE systems. We’ve compiled a list of some of the top graphics plug-ins for 2D visual effects compositing and nonlinear editing systems, followed by a sidebar listing graphics plug-ins for the 3D market. Whether they’re targeting 2D or 3D applications, developers agree that end users are motivated to buy graphics plug-ins that they believe will save them time, improve their workflow or produce their desired innovative, eye-catching look.
#SAPPHIRE PLUGIN SONY VEGAS 16 AND AFTER EFFECTS SOFTWARE#
And plug-ins for 3D animation software focus on streamlining time-intensive 3D modeling, animation and rendering tasks. Since the fate of a graphics plug-in is directly tied to the success of its host program, it’s no surprise that most developers target the most widely-installed programs: After Effects, Shake,Combustion and Digital Fusion.įor these 2D effects/compositing systems, developers typically write plug-ins that add a particular effect, like glows, blurs or a filmic look, or a workflow enhancing tool. Plug-in developers use the host program’s API (Application Programming Interface), SDK (Software Development Kit) and any other technical support the host vendor offers to ensure that their plug-in software dovetails with all of the commands and capabilities within the host program. Since no program can offer every possible feature or capability, users are increasingly turning to third-party graphics plug-ins to satisfy their needs.